With Ghost People, Martyn pulls Brainfeeder out of LA and straight into the fluorescent bounce of West London’s 2-step, massaging the darker edge of Croydon’s dub roots, and D&B’s otherworldly and sci-fi sonics, while simultaneously moving through the grit of Detroit’s mechanic grooves, and into the freewheeling vibe of Berghain. Yet, all the while, he maintains Brainfeeder’s spirit of wild experimentalism and – as the title of his “We Are You In The Future” suggests – sense of futurism at the forefront, with each of the album’s unpredictable tracks. Teddy Bridgewater Louisville Football Jerseys “I want to be known as someone that always surprises. Chaussures Asics Pas Cher I think some people have started to accept that. That’s my favorite position to be in.” In more ways than one, Ghost People stands as a tour diary from Martyn’s globe-spanning schedule over the last two years. nike air jordan 11 mujer While the intensely detailed and layered precision of his sound stays the same, the album soars from the depths of Great Lengths insularity, and heads for the dancefloor, giving hints of the sounds and memories he’s picked up along the way. Ghost People walks a tightrope between joyful liberation and deep speculation, as heard in the spaciousness and atmosphere of “Bauplan,” or the sublime wanderings of “I Saw You At Tule Lake,” in contrast to the duality of “Popgun” (which nods back and looks forward simultaneously) or the warehouse-suited “Horror Vacui.” “Ghost People is also about being on the road for a long time, and seeing how you cope with situations. I try to zen my way through it, and just stay focused on my music.” To bring the album to life, Martyn is teaming up with his 3024 partner, visual artist and muralist (“the artist formally known as street artist”), Erosie. The two will be planning a series of special launch parties in various parts of the world.
Martyn explains: “I did create parts of the album with my live set in mind. The live set is very much a performance of the album for me. That’s where the artwork comes in, too: the sleeve, and then having Erosie recreate it live in a venue. It’s a full live manifestation of the album.” Quotes: “By the time the imitators catch up, he’ll be light years ahead.” DJ “This is top-quality output from a first-class producer who just keeps getting better.” Mixmag “Classy cross-pollination of techno and dubstep.” Q Magazine “An album of Orbital-esque sci-fi landscapes, funky cyber-shuffles and old skool rave delivered back from the future.” Artrocker “Continues to predict the dance trends of the future… at the forefront of the shifting beat” BBC “A satisfyingly darker affair than his debut.” Guardian Guide “Alive with bleeps, gale force synths and sci-fi effects. Ghost People balances dancefloor immediacy with cerebral stimulation” Independent (Dance album of week) “A cutting edge album that is extremely engaging and enjoyable.” Music OMH “An exceptional release.” Music Week “Ghost People is the perfect platform for Martyn to parade his different facets of production, giving an ample insight into his inspirations and his progression as an artist.” Sonic Router “Futuristic and perfectly current at once. asics homme pas cher Go.
Pingback: The Show: Great moments in gaming history… | The Joint Radio Show()
Pingback: Martyn XFM Mix for Mary Anne Hobbs | The Fridge()
Pingback: Reliving the past in the present «()
Pingback: Big brands on Google.it - part 1 | Alessio Madeyski()
Pingback: Martyn joins Brainfeeder to release his second full length album Ghost People « Sound Colour Vibration (Music | Art | Film)()
Pingback: Days Of Future Past « ReqEffect()